John Grant

John Grant

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We are currently eating, sleeping and breathing a new found religion of everything ‘green’. At the very heart of responsibility is industry and commerce, with everyone now racing to create their ‘environmental’ business strategy. In line with this awareness, there is much discussion about the ‘green marketing opportunity’ as a means of jumping on this bandwagon.

We need to find a sustainable marketing that actually delivers on green objectives, not green theming. Marketers need to give up the many strategies and approaches that made sense in pure commercial terms but which are unsustainable.  True green marketing must go beyond the ad models where everything is another excuse to make a brand look good; we need a green marketing that does good.

The Green Marketing Manifesto provides a roadmap on how to organize green marketing effectively and sustainably.  It offers a fresh start for green marketing, one that provides a practical and ingenious approach. The book offers many examples from companies and brands who are making headway in this difficult arena, such as Marks & Spencer, Sky, Virgin, Toyota, Tesco, O2 to give an indication of the potential of this route. John Grant creates a ‘Green Matrix’ as a tool for examining current practice and the practice that the future needs to embrace. This book is intended to assist marketers, by means of clear and practical guidance, through a complex transition towards meaningful green marketing. Includes a foreword by Jonathon Porritt....


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The pictures are life-size, and the sales are larger than life:Life-Size Dinosaurs has already sold almost 400,000 copies! And now, the bestselling series features its first fantastic creatures…and a children’s favorite.

 

Continuing the success of this humongous, eye-popping series, Life-Size Dragons ventures into the realm of the imagination. We know that dragons are popular—both Dragonhenge and The Book of the Dragon became big hits with a devoted fan base.  And here they are breathing fire in ten pullout flaps by digital art pioneer Fred Gambino…and bigger than ever before. There’s even a close-up look into the dragon’s deathly jaws and its red-hot flaming mouth. But that’s not all: the text—written by Hugo Award-winner John Grant—delves into mythology to reveal the natural history, evolution, anatomy, behavior, and every other aspect of a variety of dragon species. How clever are they, really? Do any still live in the modern world? Dragon-obsessed youngsters (and which one isn’t?) will want to look and learn.

 

John Grant is the pseudonym of Paul Barnett, a former editor and editorial consultant. He has written both fiction and nonfiction, specializing in sci-fi and fantasy. Among his many honors are: two Hugo Awards, the World Fantasy Award, and the rare British Science Fiction Association Special Award.

 

Fred Gambino has done groundbreaking work in the world of digital art, and is a prolific illustrator of book covers—especially for science fiction and fantasy stories. He produced backgrounds and concept drawings for the film Jimmy Neutron, Boy Genius.

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Some say it’s science; John Grant says it’s bogus. Fans of the hard facts will welcome this engaging follow-up to Discarded Science and Corrupted Science. Grant takes a hard and lively look at pseudoscience, speculating on whether it’s just entertaining folly or (as many scientists believe), a threat to civilization. He touches on New Age twaddle, from Deepak Chopra to The Secret; the so-called power of crystals; crypto-creatures; the “UFO phenomenon” in all its glory; and those who interpret the Bible as accurate science, history, and prophecy. This will generate enough controversy to guarantee plenty of debate…and reviews!

 

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Littlenose wants to be a magician, pulling rabbits out of a fur hat, turning twigs into flowers, and making things disappear. The doctor can do it, so why can't he? But magic doesn't come easily to Littlenose, who seems to conjure up chaos without trying.
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In Discarded Science, John Grant took a fascinating look at all the things science got wrong through the centuries. But at least those were honest mistakes. Grant’s equally absorbing follow-up examines something more sinister: deliberate hoaxes and frauds. He takes us through a rogue’s gallery that features faked creatures, palaeontological trickery, false psychics, and miracle cures that aren’t so miraculous. See how ideology, religion, and politics have imposed themselves on science throughout history, from the Catholic Church’s influence on cosmology to Nazi racist pseudoscience to the Bush Administration’s attempt to deny climate change. The themes, while entertaining as ever, are serious and timely.
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