"[In this] story of a young Ojibwa girl, Omakayas, living on an island in Lake Superior around 1847, Louise Erdrich is reversing the narrative perspective used in most children's stories about nineteenth-century Native Americans. Instead of looking out at 'them' as dangers or curiosities, Erdrich, drawing on her family's history, wants to tell about 'us', from the inside. The Birchbark House establishes its own ground, in the vicinity of Laura Ingalls Wilder's 'Little House' books." --The New York Times Book Review...

Having survived World War I, Fidelis Waldvogel returns to his quiet German village and marries the pregnant widow of his best friend, killed in action. With a suitcase full of sausages and a master butcher's precious knife set, Fidelis sets out for America. In Argus, North Dakota, he builds a business, a home for his family—which includes Eva and four sons—and a singing club consisting of the best voices in town. When the Old World meets the New—in the person of Delphine Watzka—the great adventure of Fidelis's life begins. Delphine meets Eva and is enchanted. She meets Fidelis, and the ground trembles. These momentous encounters will determine the course of Delphine's life, and the trajectory of this brilliant novel.

...

In The Blue Jay's Dance,Louise Erdrich's first major work of nonfiction, she brilliantly and poignantly examines the joys and frustrations, the compromises and the insights, the difficult struggles and profound emotional satisfactions she experienced in the course of one twelve month period--from a winter pregnancy through a spring and summer of new motherhood to fall a return to writing. In exquisitely lyrical prose, Erdrich illuminates afresh the large and small events that mothers--parents--everywhere will recognize and appreciate....

Beautiful reissue of Louise Erdrich's most famous novel, from one of the most celebrated American writers of her generation. Set on and around a North Dakota reservation, 'Love Medicine' tells of the intertwined fates of two families, the Lamartines and the Kashpaws. The women at the heart of this extraordinary community are survivors in a harsh and tumultuous world, united and sustained by the strength and diversity of their love -- the sweet delusion of the flesh; the powerful pull of blood ties; the affection for the old ways vying with the irresistible lure of the new. Their voices mingle and blend to form a continuous braided sequence of narratives which pulse with the sheer energy and drama of life. Greeted with great critical acclaim when first published in 1984, 'Love Medicine' won the US National Book Critics' Circle Award. Louise Erdrich has now substantially revised and expanded the novel for this edition, to complement its companion novels, 'The Beet Queen, Tracks' and 'The Bingo Palace'....

Her name is Omakayas, or Little Frog, because her first step was a hop, and she lives on an island in Lake Superior.It is 1850, and the lives of the Ojibwe have returned to a familiar rhythm: they build their birchbark houses in the summer, go to the ricing camps in the fall to harvest and feast, and move to their cozy cedar log cabins near the town of LaPointe before the first snows.

The satisfying routines of Omakayas's days are interrupted by a surprise visit from a group of desperate and mysterious people. From them, she learns that all their lives may drastically change. The chimookomanag, or white people, want Omakayas and her people to leave their island in Lake Superior and move farther west. Omakayas realizes that something so valuable, so important that she never knew she had it in the first place, is in danger: Her home. Her way of life.

In this captivating sequel to National Book Award nominee The Birchbark House, Louise Erdrich continues the story of Omakayas and her family.

...

Her name is Omakayas, or Little Frog, because her first step was a hop, and she lives on an island in Lake Superior. One day in 1850, Omakayas′s island is visited by a group of mysterious people. From them, she learns that the chimookomanag, or white people, want Omakayas and her people to leave their island and move farther west.

That day, Omakayas realizes that something so valuable, so important that she never knew she had it in the first place, could be in danger: Her way of life. Her home.

...

On a spring morning in 1932, young Karl and Mary Adare arrive by boxcar in Argus, North Dakota. After being orphaned in a most peculiar way, they seek refuge in the butcher shop of their aunt Fritzie and her husband, Pete; ordinary Mary, who will cause a miracle, and seductive Karl, who lacks his sister's gift for survival, embark upon an exhilarating life-journey crowded with colorful, unforgettable characters and marked by the extraordinary magic of natural events.

The bestselling, award-winning author of The Painted Drum, Louise Erdrich dazzles in this vibrant and heartfelt tale of abandonment and sexual obsession, jealousy and unstinting love that explores with empathy, humor, and power the eternal mystery of the human condition.

...

Louise Erdrich's mesmerizing new novel, her first in almost three years, centers on a compelling mystery. The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation. The descendants of Ojibwe and white intermarry, their lives intertwine; only the youngest generation, of mixed blood, remains unaware of the role the past continues to play in their lives.

Evelina Harp is a witty, ambitious young girl, part Ojibwe, part white, who is prone to falling hopelessly in love. Mooshum, Evelina's grandfather, is a seductive storyteller, a repository of family and tribal history with an all-too-intimate knowledge of the violent past. Nobody understands the weight of historical injustice better than Judge Antone Bazil Coutts, a thoughtful mixed blood who witnesses the lives of those who appear before him, and whose own love life reflects the entire history of the territory. In distinct and winning voices, Erdrich's narrators unravel the stories of different generations and families in this corner of North Dakota. Bound by love, torn by history, the two communities' collective stories finally come together in a wrenching truth revealed in the novel's final pages.

The Plague of Doves is one of the major achievements of Louise Erdrich's considerable oeuvre, a quintessentially American story and the most complex and original of her books.

...

This unique volume brings together for the first time three decades of short stories by one of the most innovative and exciting writers of our day. A master of the genre, Louise Erdrich has selected these pieces—thirty works that first appeared in magazines as well as six unpublished stories—from among a much larger oeuvre. She has ordered them chronologically but also by theme and voice.

Erdrich is a fearless and inventive writer. In her fictional world, the mystical can emerge from the everyday, the comic turn suddenly tragic, and violence and beauty inhabit a single emotional landscape. Each character in these stories is full of surprises, and the twists and leaps of Erdrich's imagination are made all the more meaningful by the deeper truth of human feeling that underlies them.

In "Saint Marie," the ardent longing that propels a fourteen-year-old Indian girl up the hill to the Sacred Heart Convent and into a life-and-death struggle with the diabolical Sister Leopolda fuels a story of breathtaking power and originality. "Knives" tells of a homely butcher's assistant, a devoted reader of love stories, who falls for a good-looking predator, a traveling salesman, with devastating consequences for each of them. "Le Mooz" evokes the stinging flames of passion in old age—"Margaret had exhausted three husbands, and Nanapush had outlived his six wives"—with unexpected humor that turns suddenly bittersweet at the story's close. A passion for music in "Naked Woman Playing Chopin" proves more powerful than any experience of carnal or spiritual love; indeed, when Agnes DeWitt removes her clothing to enter the music of a particular composer, she sweeps all before her and transcends mortality and time itself.

In The Red Convertible, readers can follow the evolution of narrative styles, the shifts and metamorphoses in Erdrich's fiction, over the past thirty years. These stories, spellbinding in their boldness and beauty, are a stunning literary achievement.

...

For more than twenty years Louise Erdrich has dazzled readers with the intricately wrought, deeply poetic novels which have won her a place among today's finest writers. Her nonfiction is equally eloquent, and this lovely memoir offers a vivid glimpse of the landscape, the people, and the long tradition of storytelling that give her work its magical, elemental force.

In a small boat like those her Native American ancestors have used for countless generations, she travels to Ojibwe home ground, the islands of Lake of the Woods in southern Ontario. Her only companions are her new baby and the baby's father, an Ojibwe spiritual leader, on a pilgrimage to the sacred rock paintings their people have venerated for centuries as mystical "teaching and dream guides," and where even today Ojibwe leave offerings of tobacco in token of their power. With these paintings as backdrop, Erdrich summons to life the Ojibwe's spirits and songs, their language and sorrows, and the tales that are in their blood, echoing through her own family's very contemporary American lives and shaping her vision of the wider world. Thoughtful, moving, and wonderfully well observed, her meditation evokes ancient wisdom, modern ways, and the universal human concerns we all share.

"This book is a treasure and a delight."—Minneapolis Star Tribune...

While appraising the estate of a New Hampshire family descended from a North Dakota Indian agent, Faye Travers is startled to discover a rare moose skin and cedar drum fashioned long ago by an Ojibwe artisan. And so begins an illuminating journey both backward and forward in time, following the strange passage of a powerful yet delicate instrument, and revealing the extraordinary lives it has touched and defined.

Compelling and unforgettable, Louise Erdrich's Painted Drum explores the often fraught relationship between mothers and daughters, the strength of family, and the intricate rhythms of grief with all the grace, wit, and startling beauty that characterizes this acclaimed author's finest work.

...

The unsolved murder of a farm family still haunts the white small town of Pluto, North Dakota, generations after the vengeance exacted and the distortions of fact transformed the lives of Ojibwe living on the nearby reservation.

Part Ojibwe, part white, Evelina Harp is an ambitious young girl prone to falling hopelessly in love. Mooshum, Evelina's grandfather, is a repository of family and tribal history with an all-too-intimate knowledge of the violent past. And Judge Antone Bazil Coutts, who bears witness, understands the weight of historical injustice better than anyone. Through the distinct and winning voices of three unforgettable narrators, the collective stories of two interwoven communities ultimately come together to reveal a final wrenching truth.

...

The Antelope Wife extends the branches of the families who populate Louise Erdrich's earlier novels, and once again, her unsentimental, unsparing writing captures the Native American sense of despair, magic, and humor. Rooted in myth and set in contemporary Minneapolis, this poetic and haunting story spans a century, at the center of which is a mysterious and graceful woman known as the Antelope Wife. Elusive, silent, and bearing a mystical link to nature, she embodies a complicated quest for love and survival that impacts lives in unpredictable ways. Her tale is an unpredictable ways. Her tale is an unforgettable tapestry of ancestry, fate, harrowing tragedy, and redemption, that seems at once modern and eternal....

For more than a half century, Father Damien Modeste has served his beloved people, the Ojibwe, on the remote reservation of Little No Horse. Now, nearing the end of his life, Father Damien dreads the discovery of his physical identity, for he is a woman who has lived as a man. To further complicate his quiet existence, a troubled colleague comes to the reservation to investigate the life of the perplexing, possibly false saint Sister Leopolda. Father Damien alone knows the strange truth of Leopolda's piety and is faced with the most difficult decision: Should he tell all and risk everything . . . or manufacture a protective history though he believes Leopolda's wonder-working is motivated solely by evil?

...